“Her pincers tore at me… I stormed her openings as if she was a beleaguered fortress.” We’re wincing-slash-laughing at Lapham’s Quarterly‘s infographic of authors’ attempts to put sex down on the page throughout history. Pair with author Julia Fierro‘s great piece about trying to *do it* in her first novel.
Julie Delphy‘s second film as writer/director/actress is released in Europe this month. The subject is 16th century Hungarian/Transylvanian countess Erzsébet Bàthory, known for murdering young girls to bathe in their blood and considered by some the first female serial killer. Judging from the trailer, Delphy’s film doesn’t appear to equal earlier visions of the Bloody Countess (French Surrealist Valentine Penrose‘s hallucinatory biography, for example, or Terry Gilliam‘s Mirror Queen (Monica Bellucci) in The Brothers Grimm).
James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.
“Soon, the nail-biting hours of vote-counting start. For a Turkish citizen who does not support the AKP, casting your vote is the easy part of the process. The trickier task comes after that vote is stamped (to ensure it is real and valid): trying to make sure it is actually counted.” On a new book about Erdoğan’s Turkey.