Who or whom? Which or that? Jon Gingerich has helpfully assembled a list of “20 Common Grammar Mistakes That (Almost) Everyone Makes.”
For the Grammarians
Critical Texts
Louis Menand writes about why the women’s movement needed The Feminine Mystique (despite its shortcomings). You could also read a review of Rebecca Jo Plant’s Mom, which looks to The Feminine Mystique to understand why our culture blames mothers.
It Spaketh
You might think the signs would be obvious. The buildings are organic, the sky is filled with dragons, and everyone you talk to speaks languages you’ve never heard of. But you may still need some help figuring out your environs. Herewith, a few ways to tell if you’re in a high-fantasy novel.
Also, Empathy
Recommended Reading: In The Atlantic, Alaa Al Aswany shows how literature can inspire empathy by analyzing one word, “also,” in Dostoyevsky’s The House of the Dead. Al Aswany also has a new book out this week, featured in our latest New Release Day.
How the Novel Made the World
In the June Atlantic, William Deresiewicz revisits that old favorite subject, the past and future of the Great American novel, in a review of two new books about the history of novels: The Dream of the Great American Novel by Laurence Buell and The Novel: A Biography by Michael Schmidt. (Dizzy yet? If not, consider nine other experts’ opinions on the Great American Novel here at The Millions, for a round dozen.)
Reading Lists for Fall
The editors at Poetry have compiled a reading list from their contributors’ suggestions, and the result is a healthy mix of poetry books new and old. Pair their suggestions with Tom Nissley‘s “September Books: A Reading List for Beginnings.”
There Once Was a Girl from Secaucus
“Who cares if I really hate sports
And for work, he writes ‘baseball reports’?
It’s only one date
I mean, this could be fate!
Nope, nevermind, he’s the worst.”
Limericks for lost online dates.
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To Boldly Go
“[Maria] Bamford’s newest show…is a more polished product, but equally radical—as unsettling as anything Andy Kaufman ever did.” Is the Internet the comedy world’s final frontier?