Pamela Paul’s recent New York Times piece on the “permanent reunion” Facebook has trapped us in and an 18-year-old’s op-ed in the New York Post about why the shallow connections of Facebook led him to quit, have me feeling queasy about checking my timeline. So, I’m re-reading Edan Lepucki’s essay about taking a social media detox instead. (Cue the cognitive dissonance of clicking the “like” button next to this entry.)
A lot has already been said about Nicolas Winding Refn’s newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: “Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: ‘I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.’ Fair enough.”
The Asian American Writers’ Workshop is holding the third annual Page Turner: Asian American Literary Festival tomorrow, October 29th in Brooklyn. There you’ll find: Junot Díaz, Amitava Kumar, Min Jin Lee, Jayne Anne Phillips, Granta editor John Freeman, two stand-up comedians, five NBA finalists, seven Guggenheim Fellows, and a Korean taco truck.
“Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was ‘midcareer’ before he was ’emerging,’ the middle-aged man at the entry-level rungs of the gig economy.” Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we’ve told you about, both worth taking a look.