Electric Literature just launched a new experiment with Israeli writer Alex Epstein. Epstein published his latest collection of “micro-fiction” for free on Facebook, and he wrote about the experiment on the Electric Literature blog. For the next week, Electric Literature will be publishing a sample of translations from his collection on their Facebook page.
"Were you happy? With Green it's likelier you were in love, attuned to the littlest differences, rapt at eventless descriptions that should be boring but aren't, in awe of the way a cut-rate bunch of flowers is described, interpreting each symbol as a sign, sickened when your interpretation failed." On the novels of Henry Green.
This week in book-related infographics, round 2: Lapham's Quarterly takes a look at the day jobs of famous authors, among them T.S. Eliot, who was responsible for processing reports on German debt, and Charlotte Bronte, who had laundry fees deducted from her pay. Pair with our own Emily St. John Mandel's essay on "Working the Double Shift" and "all the strangely varied occupations that a person accumulates when the primary objective is not to establish a career, per se, but just to pay the rent while they’re working on a novel."
“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
Have novels about love lost their gravitas as women's liberation and divorce culture have taken over? Adelle Waldman doesn't think so. In The New Yorker, she defends the timelessness of the marriage plot. "As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface." Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman's essay.
Legally sampling songs on a hit record is astoundingly expensive. As Kembrew McLeod and Peter DiCola note in Creative License: The Law and Culture of Digital Licensing, the Beastie Boys would have lost $19.8 million dollars because of Paul's Boutique. (via BoingBoing)
Infinite Jest may have "really taken on a foothold as the 'novel of ideas' of the late 20th and early 21st centuries" but now it's also a "novel of legos," courtesy of Kevin Griffith and his 11 year old son, Sebastian.