Out this week: The Immortal Evening by Stanley Plumly; Last Winter We Parted by Fuminori Nakamura; Bathing the Lion by Jonathan Carroll; Sometimes the Wolf by Urban Waite; Splitting an Order by the former Poet Laureate Ted Kooser; Limonov by Emmanuel Carrère; and The Heart Is Strange by John Berryman, which I wrote about as part of our Great Second-half 2014 Book Preview.
“These sorts of connections are at the centre of nearly all time machine fiction. These novels usually draw attention to telling commonalities across historical eras, or between the past and the present. That gives an engaging puzzle quality to the books—we read seeking out the dropped clues that will shed light on the purpose of the parallel.” On fiction in which the plot takes place over multiple timelines.
PEN America has announced the longlist for its 2017 Translation Prize, including Deborah Smith for Han Kang’s The Vegetarian (see our review here), Carlos Rojas for Yan Lianke’s The Explosion Chronicles, and Victoria Cribb for Sjón‘s Moonstone: The Boy Who Never Was. (We profiled Sjón’s work at length a few years back!) The winner will be announced in February of 2017.
A teacher’s charming poem in which he winds the imaginative grammar and spelling of his students into a feast of clever words. (via)A cornucopia of palindromes. “Rot can rob a born actor” and many, many more. And don’t miss the Palindrome Drama at the end of the page.Stephen Schenkenberg looks at how people find his blog… “how+do+you+construct+buried+alive+escape+tunnel” ???The 13-number ISBN is the book industry’s Y2K. For more details, see my post from 2004.Ed plumbs bad Amazon reviews, a never-ending ending font of humor.