The Millions Walking Tour of NYC Indie Bookstores is only a week away. Get all the details and RSVP.Little Dorrit is must-see-TV in the Packer household.For those considering undertaking Infinite Jest, we recommend Slate’s Audio Book Club discussion.Meanwhile, in the first installment of New York Magazine’s new “Reading Room” feature, participants get, er… wet.”‘I never wanted to write this book,'” [Alec Baldwin] tells us… ‘It was also a book I never wanted to read, but here we are, Alec and I, making the best of a bad situation.'”The influence of the late J.G. Ballard, who died this week, reached from Jonathan Lethem to Thom Yorke.What’s Bret Easton Ellis up to? Not much, apparently.An inspired blog feature collects one-star Amazon reviews of the classics (via HTMLGIANT).In praise of Peter Handke and A.J. Liebling.Senator Arlen Specter realizes that there’s no way to endear yourself to Republican primary voters like writing for The New York Review of Books.William H. Gass goes for baroque. (via The Complete Review)Some small presses are trying out a subscription model.The earliest known dust jacket for a book has been found. (via LitKicks)The Orange Prize shortlist has been announced.Ben Yogoda writes a defense of common English.Trade paperbacks thrive in tough times. (Our suggestion: make them even smaller.)Earth Day was this past week, and now we know: used books are “greener” than new.
Essay Liu‘s essay “Seven Days After Father” has been translated by Kevin T. S. Tang for Blunderbuss Magazine and presents a daughter’s sincere grief confused by custom. “‘The funeral director forbids tears as we approach your coffin, but demands that we weep on our return. This is the movie script we’ve been handed, one we’ll be beholden to for days, and I know that many things are not mine to decide anymore. Even our tears have been planned for us.”
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”