Stephen Colbert is keeping his promise to Maurice Sendak. The comedian will publish his children’s book I Am a Pole (And So Can You!) this spring. “I hope the minutes you and your loved ones spend reading it are as fulfilling as the minutes I spent writing it,” Colbert told The Hollywood Reporter. (See also: Colbert’s equally literary meeting with Ann Patchett)
The mystery of the skull that might once have sat between the shoulders of one William Shakespeare will remain unresolved for now. A senior church lawyer for St. Leonard’s Church in Beoley, Redditch, has barred the group of curious clergymen from removing the skull for DNA testing. Alas, poor William.
One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.
Must be willing to perform “light, household maintenance.” Harry Bliss, an illustrator and cartoonist at The New Yorker, has purchased the former home of J.D. Salinger and will turn it into a retreat for one lucky cartoonist during February 2017. Pair with our review of J.D. Salinger: A Life, a comprehensive biography of the famously reclusive writer’s work.