Meanwhile, in NPR’s recording studio, classically trained violinist Aleksey Igudesman and pianist Hyung-ki Joo perform the most original rendition of “I Will Survive” you’re going to hear all year.
“You mean people who are now in their twenties? They won’t care. People who are in their twenties will have already done this stuff, so there’s now a record. When those people are old enough to be in charge of things—which by the way I don’t ever want them to be in charge of things, and luckily, I will be dead when these people take over—everybody will have that vulnerability. When everybody is vulnerable to something it’s not a weapon.” Fran Lebowitz talks to The Awl about old New York, writer’s block, and why the politicians of the future won’t have sex tapes.
“Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. ” In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
“Perhaps no part of the First Novel Experience is as confusing and overwhelming as figuring out how to balance the demands of social media with the demands of writing more fiction.” Martha Woodroof talks with Lydia Netzer about social media in the world of publishing and book promotion. Their advice? “Try to be funny as much as you can. Try to participate in conversations, not just start your own. Try to engage, not just talk.”