Meanwhile, in NPR’s recording studio, classically trained violinist Aleksey Igudesman and pianist Hyung-ki Joo perform the most original rendition of “I Will Survive” you’re going to hear all year.
“Soldiers eat beef teriyaki and chicken cavatelli M.R.E.s in a war zone where ‘armored ruins’ line the roads, ‘charred corpses scattered in among the blasted metal’; and sniper fire and I.E.D. ambushes are a constant threat: ‘the chaos out there, the crazy Arabic writing and abu-jabba jabber, the lawless traffic, the hidden danger and buzz and stray bullets and death looming from every overpass.'” Michiko Kakutani reviews Roy Scranton’s War Porn for The New York Times. Here’s an old review from The Millions that shares a bit of Scranton’s lingering sentiment regarding the war.
Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We’d argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that’s new again.)
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
“What would happen if Donald Rumsfeld, former defense secretary and architect of the war on terror, was abducted at night from his Maryland home, held without charges in his own prison system, denied a trial, and kept in a place where no one could find him, beyond the reach of the law?” That’s the question behind Eric Martin and Stephen Elliott‘s new novel Donald, forthcoming from McSweeny’s.