Meanwhile, in NPR’s recording studio, classically trained violinist Aleksey Igudesman and pianist Hyung-ki Joo perform the most original rendition of “I Will Survive” you’re going to hear all year.
But When Will They Play “Free Bird?”
A New Tradition
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
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Packer on Afghanistan
Another hip-hip for long-form journalism. George Packer‘s piece in the New Yorker on Richard Holbrooke and the Af-Pak War reminds one that some things — complicated geopolitical matters, for example — must be explored at length. Subscribers can read the full article in the digital edition here. Short of that, read Packer’s assessment of the McChrystal Report on his blog.
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The Art of the Adaptation
For The Guardian, Adrian Horton asks: how modernized should literary adaptations be? What liberties is it okay to take?
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James Tate in Hypertext
This week in book-related infographics: a hypertext tribute to the late poet James Tate, organized by Electric Literature and featuring “personal memories of Tate, commentary about his work, and recordings of some of his most meaningful poems.”
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Table 4 Ready to Award New Grants
Last year, Millions staffer Bill Morris reported on a group of Elaine’s regulars seeking “ways to repay Elaine [Kaufman] for all the encouragement she gave to writers and other creative people” at her restaurant. What emerged was The Table 4 Writers Foundation, and this year the group is ready to award its latest batch of $2,500 grants to promising writers. The application deadline is October 20.
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Smells Like Teen Spirit
“APRIL is the cruellest month, breeding/Lilacs out of the dead land,/we’re graduating in may/do we seriously still have to do the reading/theres like three weeks left you cant be serious.” You know T.S. Eliot’s “The Wasteland,” but have you read Mallory Ortberg’s “The Teenage Wasteland” at The Toast?