Tracy Letts’ outstanding play August: Osage County was tapped for a movie adaptation back in 2010, but the project seemed to fall by the wayside shortly after. Then, last week, Bob Weinstein (of The Weinstein Company) announced the adaptation will begin filming this fall. It’ll star Meryl Streep and Julia Roberts. You can read an excerpt from the play on our Tumblr.
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.
"Start with the novel’s climax (often the first thing you know about it, its most striking moment) and work backward, asking why-why-why. Then write forward." Nell Zink at The Lithub on how to become a novelist in 10 easy steps. See also our interview with Zink from last week.
Don’t Cry author Mary Gaitskill reviews Gillian Flynn’s wildly successful thriller, Gone Girl, for the pages of Bookforum. What she finds is that the book isn’t really frightening because of its plot per se, but rather because its two main characters “do not resemble actual people so much as grotesquely smiling masks driven by forces of extreme artifice, and it’s exactly that extreme artificial quality that’s frightening to the point of sickening.” For what it’s worth, Edan Lepucki, Michael Bourne, Ed Park, Janet Potter, and Jennifer duBois each named Flynn’s book in their most recent Year in Reading pieces.
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.