On the NY Daily News’ Page Views blog, Alexander Nazaryan writes about the Westminster Kennel Club Dog Show’s most neglected — yet also most literary — member breed: the dachshund. “No dog,” Nazaryan writes, “has been more widely loved by writers and artists than the dachshund.” Comedian Streeter Seidell agrees that the dachshund was slighted, and calls for a “fan favorite” award next year.
Two of my favorite writing contests are wrapping up this October. You have until the first of the month to enter the Missouri Review’s Editors’ Prize Contest. $5,000 will be awarded to the best fiction, essay, and poetry. Meanwhile, you have until October 31st to enter DIAGRAM’s Essay Contest, which is open to all types of essays such as those “in an expansive sense, meaning essay as experiment, essay as heterogenous and sometimes strange or unruly beast.” That contest’s prize is $1,000 plus publication.
"I am lately returned from a pilgrimage, bearing bloodied knees and a holy relic; my destination was a place of love and sacrifice that’s lived long in my heart. No Lourdes for me, though: I went to the Reichenbach Falls." Sarah Perry makes a pilgrimage to the death place of Sherlock Holmes and writes about it for the Guardian.
Joshua Cohen, author of the recently published Book of Numbers, will begin writing a serialized, twentieth-century version of Charles Dickens’ Pickwick Papers live and online next week. Beginning October 12 at 1pm, viewers can watch Cohen spend five days reimagining the book and will be able to offer criticism that may affect the ending.
Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.