“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
Andrew Phelps interviews Sarah Wolzin, director of MIT's new Open Documentary Lab, which "brings technologists, storytellers, and scholars together to advance the new arts of documentary." The Lab, according to Phelps, is "part think tank, part incubator for filmmakers and hackers."
The great singer-songwriter Josh Ritter is on tour with Scott Hutchison of Frightened Rabbit. In honor of that, here's puppet master Liam Hurley's video for Josh Ritter's beautiful ballad "The Curse," a song about a mummy falling in love with the archeologist who discovers him.
In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
You may remember the brouhaha surrounding Bustle, the first website in history to market primarily to women. Now, in this week’s New Yorker, Lizzie Widdicombe profiles the website, which she describes by pointing out that “[its] articles are modest, but the ambitions of its founder, a young Silicon Valley entrepreneur named Bryan Goldberg, are not.”