In Zadie Smith’s introduction to the Writers Bloc series, she writes that the program sought essays “that were not only pious, charitable or analytical but also readable, engaging, exciting.” The essays published by Guernica certainly meet this criteria. I particularly recommend Aleksandar Hemon’s essay on first graders in Bosnia and Herzegovina.
A few weeks back, Indiana Review editor Joe Hiland shared his list of stories he most often rejects. Now, Michael Mlekoday, the publication’s poetry editor, does likewise with his list of “Five Marks of Oft-Rejected Poems.” Meanwhile, Missouri Review editor Michael Nye has some qualms about this type of post.
At the Book Bench, slides of Roland Barthes’ diaries from 1977 in their original, hand-written form: “His brilliance, which indelibly influenced literary theory, semiotics, social theory, and post-structuralism, can make him seem as distant as he is renowned. Yet the diary entries… reveal Barthes to be extraordinarily sensitive and relatable.” (via The Rumpus)