We all have our obsessions. A friend of mine moved to New York City about a year ago and has made it his mission to catch a glimpse of Gay Talese taking his cigar for a walk. He’s been unsuccessful thus far.
“I lived alone for three years in Brooklyn, paying $1,700 a month ($61,200 all told) for a pretty but small one-bedroom within eyeshot of the Brooklyn–Queens Expressway. I also spent $400 a month on health insurance. At one point I thought I would find another full-time job after finishing the book, but then I must have convinced myself that teaching yoga part time would better enable my writing.” Emily Gould on poverty and the writing life.
The introduction Junot Díaz wrote for Dismantle: An Anthology of Writing from the VONA/Voices Writing Workshop has been adapted as a contribution to the ongoing conversation (of which The Millions has been a part) about writing programs at large and about MFA vs. NYC specifically. At issue is Díaz’s (rightful) assertion that an important topic – diversity – hasn’t been adequately addressed in evaluations of the supposed program and publishing dichotomy thus far. (Related: Sandra Cisneros’s “I Hate the Iowa Writer’s Workshop.”)
“Many of the most powerful characters in our best-loved stories are orphaned, adopted, fostered, or found. At the same time, many of the most powerless citizens in our society are orphaned, adopted, or fostered children, and the marginalized adults that so many become. Why have so few of us even noticed this centuries-old disparity?” On literature’s most celebrated protagonists, from Oliver Twist to Anne of Green Gables.
“I've always referred to it as a troubled project in the sense that I'm trying to tell stories about people who not are here in a way to tell their own stories. I'm trying to speak about an environment I knew well, but I'm aware that I'm dealing with very dark material. I'm pointing out the irony of what we would wish for ourselves and what actually ends up happening.” Teju Cole on tweeting American drone strikes.