David Ulin offers a brief consideration of Stephen King. King’s work, Ulin writes, “exposes, with real acuity, a lot about who we are.”
Ulin on King
Parenthetical Power
Parentheses aren’t just the mark of a lazy or verbose writer. They can also bracket personal pain in a narrative. At The New York Review of Books, Christopher Benfey explores the power of the parenthetical detail, such as Lolita‘s “My very photogenic mother died in a freak accident (picnic, lightning) when I was three.” Pair with: Vulture’s “The 5 Best Punctuation Marks in Literature.”
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The Drama of Rejection
We’ve all been rejected; after all, we’re writers. Yet sometimes it’s nice to know someone has it worse than you. With that in mind, New Hampshire Public Radio presents dramatic readings of famous rejection letters. Pair with: Our ask a writing teacher on rejection from various literary journals.
On Dr. Seuss and Pluto, Etc.
It may not surprise you to learn that Neil deGrasse Tyson wishes he’d met Oscar Wilde. As part of the By the Book series in the Times, the astronomer talks about his favorite writers, including Carl Sagan, Bill Bryson and Jonathan Swift.
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‘Some frankly tremendous trousers’
We never knew we wanted American Psycho told in the style of P.G. Wodehouse.
Google Poetry Translation
Google is adapting its translation technology to accomodate the nuances of poetry. Guardian asks, how will it handle “The Jabberwocky”?
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It’s Hard to be a Protagonist
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
Cultural Confusion
Over at Broadly, MariNaomi talks about heritage and her graphic memoir, Turning Japanese. Pair with Mia Nakaji Monnier’s Millions interview with the author.
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“Because I speak in tongues”
Friday would have been Ray Bradbury’s 94th birthday, which is why Dan Piepenbring, at The Paris Review Daily, looked back on one of Bradbury’s classic stories and picked out some choice quotes from his Art of Fiction interview. Piepenbring also pointed out that the story gets a mention in, among other places, The Brief Wondrous Life of Oscar Wao. You could supplement this by reading Tanjil Rashid on the author’s Middle East connection.
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