David Ulin offers a brief consideration of Stephen King. King’s work, Ulin writes, “exposes, with real acuity, a lot about who we are.”
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Stanford "will rerelease a collection of Arthur Conan Doyle's tales of Sherlock Holmes, just as they were originally printed and illustrated in The Strand Magazine."Maciej Ceglowski suggests that Milan Kundera "is the Dave Matthews of Slavic letters, a talented hack, certainly a hack who's paid his dues, but a hack nonetheless." And offers up a number of Eastern European books that young lovers might give to one another instead of The Unbearable Lightness of Being.Google Print has been renamed Google Book Search. "Why the change? Well, one factor was all the comments we got about how excited people were that Google Print would help them print out their documents, or web pages they visit -- which of course it won't."
Out today are Zsuzsi Gartner's Better Living Through Plastic Explosives, which was shortlisted for Canada's top literary prize, and Antifragile: Things That Gain from Disorder bestselling expert on chaos Nassim Talib. Out in paperback: The Paris Wife by Paula McLain and How It All Began by Penelope Lively.
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
Back to the Future II originally featured a very different Doc Brown from the one that made the final cut. Behold Doc’s 1967 alias, his hippie parents, and his apparent affinity for motorcycles in this 147-page script (PDF) that was later re-purposed into the movie we know today. (The Bizarro Doc action picks up around page 90.)
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature -- posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki's argument that literature is a genre.