There There by Tommy Orange is one of our most anticipated books of the year. It debuts next week and this week Orange receives the New York Times treatment along with a few other rising star indigenous writers in an excellent profile. "Mr. Orange is part of a new generation of acclaimed indigenous writers from the United States and Canada who are publishing groundbreaking, formally innovative poetry, fiction and prose, shattering old tropes and stereotypes about Native American literature, experience and identity. Their ranks include poets like Layli Long Soldier, Natalie Diaz, Joshua Whitehead and Tommy Pico, and the essayists and memoirists Elissa Washuta and Terese Marie Mailhot.
“There are writers we instinctively, permanently dislike: not only will we never read them, we will quietly relish the not-reading, finding in it a pleasure that can occasionally rival reading itself.” Dan Piepenbring explores the advantages of not reading for the The Paris Review. Pair with our own Sonya Chung’s essay on the art of not finishing books.
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.