The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.
“If a modern film version of Pride and Prejudice were produced today, some of the main characters should be gay, Elizabeth and Darcy should not get married at the end, and Charlotte Lucas should be played by a tabby cat.” Laura Fairchild reveals her students’ ideas for new adaptations of Jane Austen novels while meditating on what Austen can or can’t teach us about modern relationships.
“After years of reading, teaching, and writing about the book, though, I’ve come to believe that… our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book.” Andrew Levy writes for Salon about childhood, race, and “dedicated amnesia” in Mark Twain‘s controversial classic.
Recommended Reading: Owen Hatherley at the London Review of Books discusses postcapitalism and a world run by clicks: “The sin of ‘original research?’ – a solecism nearly as grave as ‘citation needed’ – is another reminder that the non-postcapitalist labour of academics is the basis of nearly the entire operation. Wikipedia is less a new form of knowledge than a novel packaging of an old one.”