Caitlin Flanagan’s long Atlantic piece on Joan Didion has sparked a lot of conversation. Among the article’s contentious lines: “to really love Joan Didion … you have to be female.”
The Year of Incendiary Writing
You Can’t Go Home Again (If You Understand What This Means)
The 113th anniversary of Thomas Wolfe’s birthday was last Thursday, but the author lives on in America’s cultural memory thanks to the title of his 1940 novel, You Can’t Go Home Again. Unfortunately, the titular phrase seems to be taken at face value by many people these days, and that can lead to some groan-worthy invocations. A newly-minted Tumblr blog illustrates the point.
The Limits of Speed
Chuck Klosterman wonders whether or not the fastest human ever may have already been born.
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Where In The World Are You?
Jim Harrison passed away yesterday at the ripe old age of 78, and there’s no better way to honor his memory (and get acquainted with his work) than to take a moment to sit down with these seven fantastic poems from his last collection, Dead Man’s Float.
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Bright Indeed
Jane Campion‘s Bright Star was released in theaters today. Read the New York Times‘ favorable review and watch a clip of Campion’s take on the romance between Romantic poet John Keats (Ben Whishaw) and Fanny Brawne (Abbie Cornish). According to papers on both coasts, it is Cornish who shines brightest: the NYT applauds her “mesmerizing vitality and heart-stopping grace.” You may recognize Whishaw as the demented/gifted perfumier Jean-Baptiste Grenouille from Tom Tykwer‘s adaptation of Patrick Suskind‘s 2001 novel Perfume: The Story of a Murder.
Tinkers’ Chain
At Slate, The Pulitzer win for Tinkers continues to shine a light on what’s broken about the publishing industry right now. “Instead of relying on the Great Chain of Publishing… Tinkers’ chain jumped several links to get to the Pulitzer.” (Thanks, Craig)
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“Forgiven for Being Human”
“’When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,’ Mr. George said. ‘It may simply come down to wisdom. Like the greats, Edith has it.'” Steve Almond gives an overview of Edith Pearlman‘s writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
Thats why The Atlantic remains a great magazine.