Newsflash: people in cold states drink a lot more than people in warm states.
What did we read in the Obama era? Christian Lorentzen has some answers. Apart from individual books like The Flamethrowers and The Art of Fielding, he comes up with some genres that have dominated the past eight years, including autofiction, works of trauma and fables of meritocracy. (You can probably guess where Leaving the Atocha Station ends up.)
We recently published our review of Haruki Murakami’s latest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Now comes news that yet another Murkami book will be hitting shores before the year is out. The Strange Library, already available for pre-order, is 96 pages long, will ship in December, and will include “full-color art throughout in a lavish volume designed by Chip Kidd.”
Look, we get it. You’re as sad as the rest of us that Frank Ocean’s new album didn’t actually drop on Friday. Luckily, there’s a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: “Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility.”
“Pink Trance Notebooks is the mind working, is material rising from somewhere deep to be shaped and reshaped into blocks of dreamlike text. It is also surface: material gathered from within reach.” Sarah Gerard at Hazlitt in an interview with Wayne Koestenbaum, whose new book is out in October.
Authors photos “defeat the purpose of imaginative literature, in general, and of much poetry, in particular, because they invite us to get to know an author by something other than her creations in words,” poet Stephen Burt argues. Pair with our own Edan Lepucki’s musings on the topic.
Last year, Laura van den Berg came out with a new book, The Isle of Youth, which Nathan Huffstutter reviewed for The Millions. On the Guernica blog, Dwyer Murphy interviews van den Berg, who talks about jacket photos, her first collection and whether a writer from Florida is part of the Southern tradition. (You could also read van den Berg’s Year in Reading entry.)