Photographer Lalage Snow photographed Scottish soldiers before, during, and after their deployments to Afghanistan. The photographs show “the toll that fighting … takes on our troops.”
Joseph L. Badaracco has been assigning works of literature to his business ethics students at Harvard in order to “help [them] develop literature skills.” The Questions of Character author believes, “literature lets you see leaders and others from the inside. You share the sense of what they’re thinking and feeling.”
Olugbemisola Rhuday-Perkovich put together a reading list to help children understand the global refugee experience, and Kaveh Akbar compiled a list of poems from the seven countries — Iran, Libya, Yemen, Sudan, Somalia, Iraq, and Syria — impacted by President Donald Trump’s executive order. Meanwhile, Kieran Hebden (a.k.a. Four Tet) has been curating a Spotify playlist of music from those countries as well.
“In his column, Manjoo goes on to call out virtual reality for being ‘a lonely, anti-social affair’—but, hey, isn’t that what reading a novel used to be? I mean, before we figured out how to make books ping and arouse competitive instincts by flagging favorite passages of readers who got there before we did. (I don’t mean to harp on Farhad Manjoo or to denigrate his excellent work; his reticence is shared by others in both legacy and new media cautioning against VR.)” It looks like VR is in desperate need of good storytellers.
“In 2007, five out of the 10 best selling novels in Japan were originally mobile phone novels,” reports Olivia Solon. (In 2008, we published a translated excerpt of one.) Now Movellas has emerged as a new platform for Keitai Shousetu, or literature designed for mobile devices.
“I cannot help feeling, on being invited to contextualize my own fiction, that the least qualified person possible has been asked. It is more still: hesitance, dread, that as a blind man in a failing aircraft I have been offered the yoke. I imagine it is the same for other writers, for the very fact that you write a story, and not a critical essay, suggests that near everything you hope to say lies outside the bounds of explicit statement.” Despite all that, here’s an essay by Greg Jackson at Granta in which he attempts to contextualize his own fiction.