It’s been nearly three years since an unknown man last marked Edgar Allan Poe’s birthday by leaving three roses and cognac at Poe’s grave. Today is Poe’s birthday and “Poe fans are planning one last vigil this week before calling an end” to the decades-long tradition of watching the mystery mourner pay his respects. (via)
George R. R. Martin’s publisher shared an excerpt from the author’s story, “The Princess and The Queen, or, The Blacks and The Greens.” The piece serves as a “Westerosi history lesson on the Targaryen Civil War,” and covers “the Causes, Origins, Battles, and Betrayals of that Most Tragic Bloodletting Known as the Dance of the Dragons.” It will be bundled along with 20 other stories in the forthcoming Dangerous Women collection. The question remains, however: what kind of recipes does it feature?
“This particular moonshot fell about a hundred-million books short of the moon.” Over at The Atlantic James Somers has the story of what went wrong with Google’s audacious plan to digitize all the world’s books. And like an interesting time capsule, you might want to read Robin Sloan in our own pages from some years back about a very, very cool book scanner.
Writing for n+1’s City by City series, Moira Donegan remarks on the “self-defeating contradictions” of working at a nonprofit in New Orleans. It’s a town, she writes, where most arrive to either “perform charity or to party,” and where, she feels, “many of the people who … come to help the city [are] also hurting it.” In certain ways, the piece can be read as being in conversation with Duncan Murrell’s 2012 essay for Oxford American about authenticity, preservation, posterity, and the Big Easy.
Gordon Lish is famous for being Raymond Carver’s very involved editor, but his work has never been thoroughly considered before. David Winters, Greg Gerke, and Jason Lucarelli have set out to change that with a roundtable discussion of Lish’s legacy. “What can we learn from Lish? Well, we can take away a set of techniques, to be sure; ‘rules,’ if rules are useful to us. But we can also salvage something that looks almost lost in our time: a sense of the real, lived stakes of writing, its risks and its rewards.”