It’s been nearly three years since an unknown man last marked Edgar Allan Poe’s birthday by leaving three roses and cognac at Poe’s grave. Today is Poe’s birthday and “Poe fans are planning one last vigil this week before calling an end” to the decades-long tradition of watching the mystery mourner pay his respects. (via)
“If Gothic literature had a family tree, its twisted gnarled branches chock-full of imperiled, swooning heroines and mysterious monks, with ghosts who sit light on the branches, and Frankenstein’s monster who sits heavy, with troops of dwarves, and winking nuns, and stunted, mostly nonflammable babies, at its base would sit Horace Walpole’s The Castle of Otranto.” Carrie Frye writes for Longreads about the history and personality behind the first Gothic novel, which turns 250 this year.
The Science Genius Initiative is a pilot project organized by Rap Genius, science teachers from ten New York City public schools, and GZA. Together, the group hopes “to change the way city teachers relate to minority students, drawing not just on hip-hop’s rhymes, but also on its social practices and values.” Indeed, as the Wu-Tang Clan emcee – who’s been working with Neil DeGrasse Tyson and MIT physicists for his new album – believes science is worth studying because it “unlocks the key to the universe, and the mysteries we don’t know.”
Recommended Listening: Part One of Jhumpa Lahiri’s conversation with Paul Holdengraber at Lit Hub. “You know, tell me about something I don’t know. Tell me about a musician I’ve never heard of. Tell me about a poet I should be reading. Tell me something about the world, a situation that someone can explain to me in more detail.”
Poet Aaron Belz posted the following ad on Craigslist: “Poet available to begin work immediately. Capable in rhyme and meter, fluent in traditional and contemporary forms. Quotidian observations available at standard rate of $15/hour; occasional verse at slightly higher rate of $17/hour. Incomprehensible garbage $25/hour. Angst extra.” It worked. So far he’s written insults and responses to Aubrey Plaza. At The Atlantic, Micah Mattix wonders if this is a new marketing model for artists.