The Economist has a nice interview with Farrar, Straus & Giroux publisher Jonathan Galassi. In it, he discusses the role of poetry in modern society, and how it’s still “something people perversely do.”
Hollywood Notebook by Wendy Ortiz is both a book of poetry and a memoir. Composed of several prose poems, the book depicts her evolution into a poet in her early thirties, following up where her previous memoir Excavation left off. At The Rumpus, Lesley Heiser analyses the book, with references to Phil Klay’s Redeployment and Hermione Lee’s biography of Virginia Woolf.
Let’s take a moment to be jealous of other countries, shall we? In Iceland, “one in ten [residents] will publish something in their lifetime.” Norway’s government “buys 1,000 copies of every book a Norwegian author publishes. It provides a $19,000 annual subsidy to every author.” In Argentina, “the city of Buenos Aires now gives pensions to published writers.”
“It’s likely Lucia would have felt more comfortable watching a bull be gored in a Mexico City arena or huddling among winos on a corner in Oakland than she ever felt at her first place on posh Mapleton Hill.” Elizabeth Geoghegan for The Paris Review on Lucia Berlin, whose A Manual For Cleaning Women is out now.