Philip Connors‘ essay about his brother, published in Lapham’s Quarterly, is truly heartbreaking.
The Paris Review profiles the Grolier Poetry Book Shop, located in Cambridge, MA and one of two all-poetry book stores in the nation. And speaking of bookstores – if you’re visiting Boston for AWP 2013, Ploughshares has got a whole list of literary landmarks for you to explore.
“This year, AmazonCrossing plans to publish ‘77 titles from 15 countries and 12 languages’ in the United States, which will almost certainly dwarf the output of Dalkey and its ilk. And, with this new $10 million commitment, the number of works in translation published by AmazonCrossing should continue to soar. Which means that AmazonCrossing will almost certainly be the largest publisher of translated literature in the United States for at least the next five years.” At The New Republic, find out how Amazon became the largest publisher of translated works. Our own Michael Bourne breaks the news that Amazon has purchased the English language.
In The Age of The Crisis of Man, a new book by n + 1 co-founder and editor Mark Greif, the author examines the life and death of the concept of “man,” aka a unified humankind that could be said to suffer from particular conflicts. It was born in the thirties, with the rise of Fascism, but persisted for decades, eventually giving way to a more diversified view of humanity. In Tablet, Adam Kirsch dives into Greif’s arguments.
Writing about European immigration laws for the London Review of Books, Jeremy Harding drops this excellent line: “Perhaps we should agree to think of rights and values as limited resources, and admit that Europe is now caught in a bitter struggle over who can or can’t access them.”
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.