City University in London is launching the UK’s “first creative writing masters dedicated to crime and thriller novels.” The degree program will allow 12 to 14 students to focus on crime writing, the UK’s second biggest genre, which raked in £87.6m in 2011.
Suspenseful Degree Program
Weekend Prizewinners
Next by James Hynes has been named the winner of The Believer Book Award, and it was announced Friday that Thomas Teal’s translation from the Swedish of Tove Jansson’s The True Deceiver took home the Best Translated Book Award. The book was competing with a shortlist of ten novels in translation.
Everything That Rises Must Be Filmed
Recommended Listening: this episode of the Ryder + Flye podcast in which Jason Diamond and Margaret Eby discuss Southern Catholicism, 70s cinema, and why it’s so darn hard to make Flannery O’Connor’s stories work on the screen.
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When an Alumni Mag Covers Bad News
In the wake of the Sandusky scandal, the Penn State alumni mag Penn Stater couldn’t ignore the news. The dark, shattered cover is not what you typically see from booster-ish alumni magazines.
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Howard?
“Writing on a computer can be terribly distracting, so sometimes I like to use a pencil and paper to jot down ideas. I always end up drawing a cartoon duck. Inevitably, the duck is holding a notepad, and I can read the ideas that he wrote down.” At Clickhole, six writers explain how they overcome writer’s block.
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László Krasznahorkai Wins the Man Booker International Prize
The Man Booker International prize was just awarded to Hungarian author László Krasznahorkai, author of Satantango (later adapted for film by Béla Tarr) and Seiobo There Below. When asked to recommend a starting point for readers who have yet to encounter his work, the author defers: “I couldn’t recommend anything … instead, I’d advise them to go out, sit down somewhere, perhaps by the side of a brook, with nothing to do, nothing to think about, just remaining in silence like stones. They will eventually meet someone who has already read my books.” Well, if a stream isn’t handy, we have a few ideas: our own interview with Krasznahorkai, Stephanie Newman’s review of Seiobo There Below, and Music and Literature’s issue no. 2, featuring literature on and by Krasznahorkai and Béla Tarr.
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“Refuge in the bottle and salvation on the page”
Olivia Laing has written an entire book about male writers and their relationships with alcohol, The Trip to Echo Spring, but in a piece for The Guardian she returns to the subject of writers and drink in order to respond to the question, what about women writers? Were any of them alcoholics? “Yes,” she writes, “of course.” She goes on to discuss the lives and work of Jean Rhys, Marguerite Duras, Elizabeth Bishop and Patricia Highsmith, their reasons for drinking and their experiences in a society much more willing to accept the struggles of men than of women. For more from Laing, be sure to check out her Year in Reading for 2013.
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Crystal Methods
Curtis Sittenfeld did some interesting research for her latest novel, Sisterland. “I went to this New Age bookstore in a distant suburb of St. Louis. I basically went there and was like, ‘I’m doing research,’ and then I un-ironically bought some crystals,” she told The Rumpus.
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