City University in London is launching the UK’s “first creative writing masters dedicated to crime and thriller novels.” The degree program will allow 12 to 14 students to focus on crime writing, the UK’s second biggest genre, which raked in £87.6m in 2011.
If you read Lydia Kiesling’s recent piece about Granta’s Young British Novelists and thought to yourself, “That John Freeman guy sounds like a grand ol’ chap, but I think I could do his job better,” then I have two things to say: 1) That’s kind of a rude thing to think to yourself. And 2) You’re in luck, I guess, because he’s in need of a replacement.
“So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength. These people are not so much angry as terrified, with the kind of terror that makes knees tremble.” We highly recommend you read Toni Morrison‘s post-election essay for The New Yorker.
“Save one life save the world, instructs the Talmud… You can’t save every life. You can’t save every book. But you can at least throw lifelines now and then.” Susan Coll writes for The Atlantic about the power of shelving and the importance of staying hopeful, no matter how gloomy publishing becomes.