“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
Has Joan Didion become “the Ultimate Literary Celebrity“? In an article for the New Republic Laura Marsh says “yes,” and then explains how that happened. Marsh’s efforts pair well with Franklin Strong‘s recent Millions essay on “The Manliness of Joan Didion,” Joan Didion being a literary figure who easily adapts to any description.
Willard Spiegelman’s provocative essay in the VQR’s recent State of American Poetry issue, “Has Poetry Changed?” incited quite a few responses. One of the better rejoinders came from William Childress, whose response, “Is Free Verse Killing Poetry,” raises some excellent points. “Poetry needs readers, not writers,” writes Childress. “But how many poets read any poetry but their own?”