The process of “Russification” is almost as old as Russia itself, yet to see it take shape in the present day can be quite distressing. In particular, Vladimir Putin’s recent proposal in Nezavisimaya Gazeta — in which the prime minister called for a “Russian canon” of literary works — has some people worried about its insidious potential for propaganda. Count Alexander Nazaryan among that group.
Few things are more individual than your feelings about e-books. Dustin Illingworth can’t stand them — as he puts it, “books are meant to be handled and smelled.” At Full-Stop, he writes about what this preference reveals about himself. You could also read our tribute to e-book pioneer Michael Hart.
There is going to be a documentary about Joan Didion. We repeat: a documentary about Joan Didion. This is not a drill. Watch the opening trailer and consider donating to the Kickstarter campaign here, and be sure to read our own Michael Borne‘s review of Blue Nights and S.J. Culver‘s Millions essay on “Getting Out: Escaping with Joan Didion.”
“Arguably versioning is a practice reserved for when a literary translator isn’t available or perhaps doesn’t actually exist who can bridge both languages. At worst, it has and can be done by colonisers or writers from major languages mangling minor literatures for sport and without care from a position of imbedded prejudice, power and authority.” Jen Calleja on the difference between translating and versioning of an original text, over at The Quietus.
In case you missed it: Google bought Frommer’s last August. Then in April, Google announced that it would stop printing hard-copy guidebooks, so founder Arthur Frommer bought his company back. All of this has led Doug Mack to argue that not only do we need guidebooks, but they should be part of the literary canon. “They also stand out for shaping history, if not always intentionally, because of their authoritative reputation—they have long been the best insight into that which would be otherwise unknown.”
“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
For the last couple days #badwritingtips, a collection of hilarious writing tips to take your novel from typical to terrible, have been trending on twitter. The Guardian rounded up a few of their favorites. Perhaps this advice will help out the unlucky souls retweeted on working on my novel.