In 1998, not long after publishing his first novel, Dan Brown paid a visit to an English class at Phillips Exeter. Among the students in attendance that day was future New Yorker editor Joshua Rothman, whose fragmented recollection of Brown’s appearance turned into an instructive tale about “memory and its tricks.”
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.