Christopher Hitchens’ final piece of writing has been published by Vanity Fair. It’s about Charles Dickens, and in particular the author’s “willingness to atone for his mistakes.”
Posthumous Hitch
Obsessing Over Women
Parul Sehgal cures your “bland biography”-induced malaise by prescribing “three delightfully deranging books” in which writers “riff on the women who’ve consumed them.”
Non Fiction Takes a Certain Vulnerability
We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
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“The intersection of nature and man, and lovely”
In recent months we’ve had pieces about the homes belonging to Zora Neale Hurston and George Orwell, so in the spirit of that trend I encourage you to check out Nic Brown’s brief look at William Faulkner’s beloved Rowan Oak.
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“I know what’s next— / the horns, the hymns.”
Recommended Reading: “Epistrophy” by Jake Adam York, who passed away last December.
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Goodbye Gone Girl
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
Final Round of the Tournament of Books
This year’s Tournament of Books comes to an end today, after nearly a month of analyses, debates and thoughtful arguments. In the final round, Kate Atkinson’s Life After Life squares off with James McBride’s The Good Lord Bird, both of which are, in Héctor Tobar’s words, “unorthodox, historical novels.” Now that the verdicts are in, the only question is: who won? (You could also read the quarterfinal judged by our own Lydia Kiesling.)
Bodleian Treasures
A first edition of Don Quixote, fragments of Sappho, and a lock of Percy Shelley‘s hair all in one place: Oxford’s Bodleian Libraries.