Writer James Salter died on Friday. We interviewed him in 2012 and he reflected on memory and on his long life as a writer. He said, "Everything you know, nobody else knows, and everything you imagine or see belongs to you alone. What you write comes out of that, both in the trivial and deepest sense." Prior to that, in 2010, Sonya Chung wrote about Salter's legacy and how he finally seemed to be getting his due as more than just "a writer's writer."
Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
“Imagine a society in which money has been banished. A society in which you would be arrested if you wear eyeglasses, if you wear ties, or if you speak a foreign language.” The Coffin Factory's Randy Rosenthal takes a look at Rithy Panh’s The Elimination, an autobiography focused on his adolescence during the reign of Cambodia’s Khmer Rouge.
There are many things you could call William S. Burroughs, who was born a hundred years ago this month, but Will Self prefers to call him “the original junkie,” a title which reflects the author’s hedonistic background and the strangeness of books like Naked Lunch. Self takes a close look at Burroughs’s novel-cum-memoir, Junky, in The Guardian.