Francis Ford Coppola’s movie adaptation of Jack Kerouac’s On The Road may finally see the light of day. The film, directed by Walter Salles and starring the likes of Viggo Mortensen, Amy Adams, and Steve Buscemi, could hit French theaters as early as March 23rd.
After reading through two new biographies of Sylvia Plath -- American Isis and Mad Girl’s Love Song -- Terry Castle concludes that “nothing about her life or legacy seems wholesome or resolved.” (Related: our own Hannah Gersen talking with Pain, Parties, Work author Elizabeth Winder.)
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
In November, Matt Kish will write a series of guest posts for Tin House’s Open Bar Blog. He’ll be “exploring some of the ideas and processes behind five of [his] Heart of Darkness illustrations.” Over on his personal blog, however, he’s asking for readers to help him select which five pieces he should discuss. Kish, who has previously illustrated the pages of Moby Dick, was recently mentioned in our Great Second-Half 2013 Book Preview.
Congratulations to the five young writers named to the inaugural class of the National Student Poets Program. Louisa Banchoff (17), Miles Hewitt (17), Claire Lee (16), Natalie Richardson (17) and Lylia Younes (17) were appointed by the President’s Committee on the Arts and the Humanities, and they will serve as “literary ambassadors” for the next year.
"A dark and insane fantasy about the players large and small who populated our post-9/11 landscape, it's not just the book we've maybe wanted but possibly the book we've needed — a strange lens to help us understand who we were, what we've done and who we may yet become." Nathan Deuel reviews Mark Doten's The Infernal (which Adam Fleming Petty reviewed for the Millions here) for the LA Times.