At The Awl, a gritty interview with Daily News crime reporter Kerry Burke (who was once featured in a Bravo “reality show” Tabloid Wars that I loved but that was sadly cancelled). Burke says, “I’m not a very nice person. I’m not from a nice place. At the same time, I love these people. These are my people.”
We lost another great one this week in Alan Rickman. He will be remembered forever by fans of the Harry Potter series as the maybe-evil, maybe-heroic professor Severus Snape, but the Potter series wasn't Rickman's only brush with the literary. Here are a few recordings of him reading from Shakespeare, Proust, and Thomas Hardy.
Recommended reading: The Chronicle of Higher Education reports on the new modesty of literary criticism and the complicated relationship between texts, critics, and politics. For more on the balance between art and politics, look no further than Jonathan Clarke's Millions essay, "Alive with Disagreement and Dissent."
“Yes, they believed I was a dangerous person, unpredictable, and I observed that I really scared them. Sometimes I noted that the guards looked at me as judges. Their look translated to me as ‘gorilla, stay in your cage!’ When soldiers were off-duty, they came to gawk at me with a sense of wonder. Sometime they would throw me a piece of meat or something sweet, just like to an animal. The old EZ: an exciting and fascinating sight.” Ezra Pound reflects on his time in an Italian prison.
The Barcelona Review has the text of the eponymous story from Alan Heathcock’s Volt for your reading pleasure. You might remember Heathcock’s work from last Decemeber, when Michael Schaub picked the “dark, beautiful short story collection” in his Year in Reading installment, and then gave it a glowing review for NPR.
Fancy a stroll? Flaneur, a new Berlin-based magazine, profiles one street per issue. It explores the culture, literature, people, and landmarks that make each street unique. The first is Berlin's Kantstrasse. Pair with: Hyperreal Cartography, a tumblr of "real maps of places that exist but don't."
"Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the 'domestic' life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth." These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?
According to a recent survey conducted by the Pew Research Center, Americans are reading fewer books than they were back in 2014. A whopping twenty-eight percent of those surveyed reported not having finished even a single book in the past year, though the average number of books read per person last year remained at fourteen. For a little more in moderation lit, here’s an essay from The Millions on reading fewer books.