2012 is off to a good start for DIAGRAM. In February, their fourth print anthology will be released. Their next issue will be an “ALL-ESSAY SPECTACULAR” (caps their own), and they’ve just released their latest issue on their site.
The book club has turned into a form of protest. Inspired by “The Standing Man,” the Turkish demonstrator who stood for six hours in a silent vigil, protesters are silently standing while reading books. The Al Jazeera photo-essay shows Nietzsche, Camus, and Orwell as popular picks.
Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”
An exhibition of the authorportraits of Swedish artist Carl Köhler, whose extraordinary portraits of artists and intellectuals we’ve displayed here at The Millions, opens in Toronto on January 11th at the Robarts Library of the University of Toronto, 130 St. George St. For more information call 416-971-3131.
Sure, the various TV recaps, screencaps, and Paris Review fan fiction will be a help, but let’s be honest, how long will those last? You could get through all of it today, in a binge. What you need, my friend, is a good book to sate that Mad Men craving you’ll be having now that it’s off the air again. Well, here’s a list of 10 great ones. That should do it. Oh, yes.
“You can’t be worrying how you sound. You can’t wonder whether you or your characters are likable or smart or interesting. You have to be inside the scene—the tactile world of tables and chairs and sunlight—attending to your characters, people who exist for you in nonvirtual reality.” Paris Review editor Lorin Stein writes for The New York Times about solitude in the age of the Internet and the future of the book.