2012 is off to a good start for DIAGRAM. In February, their fourth print anthology will be released. Their next issue will be an “ALL-ESSAY SPECTACULAR” (caps their own), and they’ve just released their latest issue on their site.
“Why can’t we keep our literary heroes where they belong, at the top of the bookshelf next to all the others? And why must we ache for their approval, their admiration, their love?” Alex Gilvarry posts about writers who dare to approach their literary heroes for the Paris Review Daily.
Bibi Dietz interviews Jill Schoolman, founder of Archipelago Books, about “the archipelagic quality of book translation, the spiritual quality of discovering a great text, and the best bookshops from here to Buenos Aires.” So, basically everything we would ask Jill Schoolman about if we got the chance. The full interview up at BOMB Magazine.
“Between 2008 and 2014 there were 2,471 fiction translations published in the U.S. for the first time ever. Of those, 1,775 were written by men, compared to 657 by women, and 39 by men & women. In terms of percentages, female authors make up 26.6% of all the fiction translations published over the past seven years. I suspected going into this that there would be significantly more male authors published in translation than women, but I figured it would be more like a 60-40 split, not 71-27. That’s brutal.” Chad Post on the gender gap in literary translation.
Clusty has unveiled a very cool Shakespeare search engine, allowing one to sift through all the bard’s works with the push of a button.The Washington Post is hosting live lunchtime chats with various authors over the next two weeks to coincide with the 2006 National Book Festival. The highlight: Geraldine Brooks, author of Pulitzer Prize-winning The March on Thursday.Just announced: Another Hannibal book from Thomas Harris called Hannibal Rising, prompting Ed to call Harris “The Laziest Titler in the Publishing Industry.”
A few weeks ago, our own Nick Moran wrote about the closing of Maxwell’s, a Hoboken landmark that doubles as a restaurant and concert space. Now, at The Paris Review Daily, Josh Lieberman goes to the venue’s last Feelies concert, pointing out that “in no way is Maxwell’s an ideal place to see a show, except that it is.”