2012 is off to a good start for DIAGRAM. In February, their fourth print anthology will be released. Their next issue will be an “ALL-ESSAY SPECTACULAR” (caps their own), and they’ve just released their latest issue on their site.
“People in the publishing industry were complaining that ‘everyone is a writer now.’ I thought, well, why fight that? Isn’t that a good thing?” Andy Hunter, Publisher & COO of Catapult, Publisher of Literary Hub, and Co-Founding Chairman of Electric Literature, talks about the impetus for his three ventures.
In the spring of 2006, John Unsworth taught a graduate seminar on "Twentieth-Century American Bestsellers." It led to one of history's finest class projects--a browsable database of bestsellers, 337 in all. As with any bestseller lists, you'll find a range of titles, everything from Thomas Wolfe to Tom Clancy, but click through and find that each entry includes an extremely detailed description of the book's history (these were compiled by graduate students, after all); a mini-essay on its reception; images of covers, page layouts, and even some ads; and more. It is, in short, bibliophilic crack. (Thanks Craig)
"I bet you can relate. Always another crisis, always more costs to keep down. It’s hard to find time for yourself, you know? But the president of the United States should be able to read a book when he wants to. Or at least look at one. Maybe I could just look at this book for a while."
“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.