NBCC Finalist Party

“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.

“There is something terrifying but also fascinating about contemplating the end of humanity,” and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.

The Guardian has a list of its five favorite on-campus novels, including Jeffrey Eugenides‘ The Marriage Plot, which we ran an excerpt of back when it came out, and Donna Tartt‘s The Secret History, whose connections to the academy we’ve also explored on the site.

How did Random House get its name? A joke. Book Riot gives the stories behind eleven publishers’ names. You could also read a piece on how writers title their novels.

If  your honey-bun doesn’t need another iPod or bottle of perfume this Christmas, consider Heifer International, a non-profit that lets you  give the gift of heifers, sheep, goats, bees, rabbits, or water buffalo.