The NBCC finalists will be announced tonight at an event in New York City, and you’re invited! The event will feature drinks, hors d’ouevre, and (probably) a lot of reading glasses.
What should you do if, horror of horrors, you find yourself appearing as a character in someone else's book? Michelle Huneven shares her experience being fictionalized in an essay for The Paris Review. Her advice? "Don’t read too much into it. Cultivate lightness." Pair with our profile of Huneven, "Not Lost, Just Rearranged."
“To age is to understand that the powers of total recovery are gone, are no longer anticipated (except by those who, having lost their marbles, no longer know what to anticipate).” The epistolary legacy of writers such as Samuel Beckett, Saul Bellow, and Elizabeth Bishop offers invaluable insight into the process of growing older, writes Robert Fay for The Atlantic. See also our own Lydia Kiesling on the narrative possibilities of leaked emails.
John Jeremiah Sullivan writes about heritage, history, literature, and the Emerald Isle in this piece for The New York Times Magazine, "My Debt to Ireland." In the essay, Sullivan talks about the Aran Islands, and in particular Dún Aonghasa. On our Tumblr, I've shared some photos I took at the place.
"But reading Finnegans Wake is more than a matter of collecting one’s favorite quotations – even if there is a huge pleasure in that, especially if you admire truly terrible jokes." Michael Wood writes an essay on James Joyce, Lewis Carroll, and the origins of clever wordplay for the London Review of Books.
After working on his novel Family Life for seven years, Akhil Sharma began to lose his mind. Whenever he sat down to write, he began having panic attacks, the kind that left his chest feeling “constantly bruised” for months on end. Eventually, he hit on a solution: he learned to take his mind off his novel by praying for other people.