It’s hard to believe that the country containing Aokigahara, or “The Suicide Forest”, has for so long ignored its abundance of clinically depressed, “overworked” citizens, but Junko Kitanaka, in her book Depression in Japan, explains exactly why that’s happened.
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
An English student at the University of Texas has unearthed previously unpublished writing from Jupiter Hammon, the first published African-American poet. Some of Hammon’s work – which dates back to 1760 – can be found online courtesy of The Poetry Foundation: “A Poem for Children with Thoughts on Death” and “An Address to Miss Phillis Wheatley.”
“White Americans do not realize how black they are,” writes Andrew Sullivan at the Daily Dish. If, upon reading Sullivan, you find yourself questioning your racial identity, try the blog Stuff White People Like–sure, most of it is really stuff that dinks and yuppies like (class trumps race, as Walter Ben Michaels explains at the LRB), but it might help you brush up on the ways and loves of white folks: camping, pea coats, hating your parents, Wes Anderson, diversity, sushi, standing still at concerts…
Franzen fans: Freedom, the long-awaited follow-up to The Corrections is now available for pre-order. The specs: 576 pages, August 31st 2010. “Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom’s intensely realized characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.”