It’s hard to believe that the country containing Aokigahara, or “The Suicide Forest”, has for so long ignored its abundance of clinically depressed, “overworked” citizens, but Junko Kitanaka, in her book Depression in Japan, explains exactly why that’s happened.
"The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
Along with the dreaded switch to Daylight Wastings Time, the first of the month brings new issues of Open Letters Monthly and N1BR. Between the two of them, you can find, among other things, reviews of Where the Wild Things Are, J.M. Coetzee's Age of Iron, Bob Seger, and the Complete Bloggings of Caleb Crain.
"I am uncomfortable in my role as witness." Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what "Black thanatosensitive" user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
A new YA series spun off from The X-Files explores Fox Mulder's teen years, and you can read the first chapter here. You may also be forgiven for feeling like the entire premise is a bit fraught. Not only is the mental image of Spooky Mulder with acne a tad jarring, but on a more existential level, as Zan Romanoff has written for our site, "there is no such thing as the young adult novel."
"My scant respect for the trade to which I belong (from the most ancient of academicians to the most youthful of libelists) derives from a childhood home in which I grew used to mistreating and misusing almost all the seminal texts from the history of culture." Javier Marias on the dangers of growing up with too many books.