A couple of contrarian views on the current job market and its woes: “How Art History Majors Power the U.S. Economy” (at Bloomberg, no less) and “Cut the working week to a maximum of 20 hours, urge top economists” (sign me up).
J. M. Coetzee has published The Good Story: Exchanges on Truth, Fiction and Psychotherapy with psychologist Arabella Kurtz, which details the five-year correspondence between the two. The letters offer “a rare opportunity to understand the mind of a writer who almost never speaks at length in his own voice.” For more of the Nobel laureate, read our review of The Childhood of Jesus.
Looking for something to watch this weekend? Got Hulu Plus? Well, start working your way through the veritable treasure trove that is the Criterion Collection. And don’t worry. If you’re as overwhelmed by the selection as I am, this top ten list by filmmaker Dean Peterson can serve as a great guide. Also, for what it’s worth, I’m partial to Andrei Tarkovsky’s Andrei Rublev.
Next week, Martin Amis will publish Zone of Interest, a dark new novel that takes place, like his earlier Time’s Arrow, in Nazi-occupied lands during the Holocaust. In this week’s New Yorker, Joyce Carol Oates reviews the book, suggesting that Amis is most compelling when he writes as a “satiric vivisectionist.” You could also read our own Mark O’Connell on Lionel Asbo: State of England.
Over at the Oyster Review Alexandra Edwards takes a literary tour of Florida, guided by "a few writers who chart Florida’s strange vacillation between the modern and the primordial," including the likes of Elizabeth Bishop, Zora Neale Hurston and Ernest Hemingway. Our own Nick Moran has also profiled the literature of the Sunshine State, though his take was a little more "Floridapocalyptic."