The kind souls at NYRB Classics have nicely posted the first story from Robert Walser’s Berlin Stories, “Good Morning, Giantess!” on their Tumblr. The collection got a nice little write up in this weekend’s New York Times, too.
It’s “Bulgaria Week” at Granta, and you can celebrate by reading two of Ivan Landzhev‘s poems, a short story by Rayko Baychev, a piece by Georgi Tenev, and many more. In case that isn’t enough, however, FiveChapters has posted Miroslav Penkov‘s “Makedonija,” and he has a short essay on the FSG Work in Progress site.
“The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman).” Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.
If you’re the kind of person who might fall asleep while reading a page-turner, you’re not alone. For Read It Forward, Jonathan Russell Clark writes about the challenge of literary sleepiness. For more of his writing, check out his essay on the art of the final sentence for The Millions.
This is supercool: Hyperallergic reports programmer Jamie Zawinski has created a digital rendering of the library of Babel from Jorge Luis Borges’s short story of the same name, which imagines an institution intended to house all potential books. You might also enjoy our 2013 piece about a discovered set of Borges lectures from a class the author taught in Argentina in 1966.
Hobart (who just joined Twitter) is running a new contest dubbed The Buffalo Prize. Enter for a shot at $500, or if you’re feeling saucy, for the bonus $100 prize awarded to the “best cover letter ridiculing or praising contests.” They’re also calling for interns to join their team, too.
“The terrible thing is that the reality behind these words depends ultimately on what the human being (meaning every single one of us) believes to be real. The terrible thing is that the reality behind all these words depends on choices one has got to make, for ever and ever and ever, every day.” James Baldwin on the artist’s struggle for “integrity.” Here’s a bonus piece from The Millions on Baldwin, race, and fatherhood.