The kind souls at NYRB Classics have nicely posted the first story from Robert Walser’s Berlin Stories, “Good Morning, Giantess!” on their Tumblr. The collection got a nice little write up in this weekend’s New York Times, too.
Ich bin ein Berliner
More YA for Grownups
The Atlantic is kicking off its new series, YA for Grown Ups, with an examination of “The Greatest Girl Characters in Young Adult Literature.” Obviously The Hunger Games‘s Katniss Everdeen is up there, but don’t worry, Ramona Quimby makes the list too.
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A Definite Orange Theme, It Seems
The Twelve, Justin Cronin’s follow-up to The Passage, now has a cover and release date.
Not Quite Everyone
It’s not every day that you come across a defense of literary elitism, but The Guardian’s Nicholas Lezard is tired of explaining that not everyone is a critic. “What I want when I read a book review is to find out what someone cleverer than me and better read than me thinks about whatever’s being reviewed,” he writes.
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Hip-Hop Close Captioning for the Lyrically Impaired
“Yeah my drop sick…and my knot thick,” boasts Li’l Wayne in “A Milli.” Sounds great, but what the hell does it mean? Rap Exegesis, a hip-hop translation service, has the answer to this and other lyrical conundrums.
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What We Talk About When We Talk About Books
“The [book] review’s pre-eminence is irrefutable: most people are acquainted with far, far more books through reviews than they could ever hope to read. And that is, generally, to the good.” Joseph Mackin explores why we write and read book reviews for the New York Journal of Books.
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It Was Nothing, Really
W.H. Auden lived a secret life, not as a man with a second family or an illicit habit but as, weirdly enough, a genuinely kind human being. He paid for a friend’s costly operation and camped outside the apartment of a woman who suffered from night terrors until she felt safe enough to sleep on her own again. So why did the poet want to hide his good deeds? He claimed he didn’t want to be admired for basic decency.