Cormac McCarthy’s written a spec script about “a respected lawyer who thinks he can dip a toe in to the drug business without getting sucked down.” I think we all know where that’s headed.
Hollywood McCarthy
Library of Lagging
“‘There is almost no work, within the vast range of literature and science,’ [Thomas Jefferson] wrote in an 1874 report, ‘which may not at some time prove useful to the legislature of a great nation.’ Thus the Library Of Congress’s mandate expanded: it would acquire anything and everything of importance … By the late 19th century, the LOC had become a kind of national brain trust, a heritage of information that aspired to timelessness.” This piece on the Library of Congress and its internet progress (or lack thereof) is fascinating and thorough. Go and spend some time with the digital archive, there are only around seven million gigabytes of information for you to thumb through.
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Rabbit, Realtor
For the low, low price of a quarter of a million dollars, John Updike’s boyhood home could be yours! (via)
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Scribbles in August
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
Lowcountry Living
Recommended Viewing: John Lusk Hathaway’s “One Foot in Eden or The Battle of Sol Legare” photography series, which features images of “the rich history and modern struggles” of the small Gullah community outside of Charleston, South Carolina.
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“Was it a vision, or a waking dream?”
Sherlock star Benedict Cumberbatch performed a haunting interpretation of “Ode to a Nightingale” by John Keats, and the actor has also recently signed on to play Hamlet on the London stage in autumn 2014. This raises the question: is Cumberbatch the British James Franco?
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An Animated Dalloway
This week marked the 90th anniversary of Mrs. Dalloway‘s publication. Over at The Paris Review, Sadie Stein posted an animated adaptation of the novel, which she describes as “either the worst or the best… depending upon how highly you value things like coherence, tone, and style.”
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