Eliza Griswold’s got a great essay up on The Poetry Foundation’s website. It’s about poetry and reportage in Lampedusa, the largest island in the Italian Pelagie chain.
Everyone Is an Immigrant
Dear Diary
This week in Bookends: in which Thomas Mallon and Pankaj Mishra muse on which writer’s journals are really worth reading. Here’s a bonus Millions piece on Bookends for all those New York Times devotees.
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In Defense of Distraction
“Utter devotion to the principle that distraction is Satan and writing is paramount can be just as poisonous as an excess of diversion,” writes Benjamin Nugent.
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Writing the Transracial Adoptee Experience
“I wanted to be really careful about not pretending to write The Transracial Adoptee’s Experience, because (1) there is no such thing, it’s going to be different for everyone, and (2) I feel strongly that those stories should be told by the adoptees themselves, if they choose to share them,” Year in Reading alum Celeste Ng, author of Little Fires Everywhere, in conversation with Nicole Chung.
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The Writer’s Bedroom
We recently ran a piece called “Where We Write,” in which our staff writers posted photographs of their work spaces. Apartment Therapy has taken it a step further and revealed where some famous and not-so-well-known writers slept. Turns out a bedroom, like a work space, speaks volumes about a writer. But one question remains: What the hell is Patti Smith doing on William S. Burroughs’s bed?
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tl;dr
It’s the last day to vote on panels at SXSW interactive 2013. So if you wanna hear how our editor in chief, C. Max Magee, and our friends Andrew Womack, from The Morning News, and Kevin Nguyen, from The Bygone Bureau, have changed the game with independent long form digital publishing, you better cast your vote today.
Tuesday New Release Day
New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
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