Adweek engages in a little inside-baseball speculation, wondering who would be in line to take over at, say, the New Yorker if David Remnick were to step down and who might be next in line for Graydon Carter’s gig at Vanity Fair?
There’s good news for all of us with embarrassing social media adolescences. After a 34-part, Pulitzer-nominated piece of investigative journalism disappeared from the internet earlier this year, it became clear that nothing on the internet is permanent. Also, don’t blame the internet for your unproductive day–that’s just you.
As libraries struggle to survive in the UK, community-based lending libraries are sprouting up to fill in the gaps. The Society of Authors is threatening to take legal action against these libraries after discovering that they are not required to pay any royalties to authors.
The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O'Loughlin's Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the "first complete English translation of Nietzsche's poetry."
John Jeremiah Sullivan is working on abandoning the "slightly exaggerated pastiche of himself as narrator" that's driven most of his essays so far.
"When I was younger, I finished everything. I was a total martyr. Now ... I’m getting older. We have a finite amount of time on this earth. If something really doesn’t speak to you, and there’s not a ride-or-die reason to read it all the way through, then it’s time to give up." Ten questions for Lisa Lucas, the new(ish) director of the National Book Foundation.