Adweek engages in a little inside-baseball speculation, wondering who would be in line to take over at, say, the New Yorker if David Remnick were to step down and who might be next in line for Graydon Carter’s gig at Vanity Fair?
Editors on Deck
“My life work decided”
“The most important year of life. Every emotion and my life work decided. Miserable and ecstatic but a great success.” What F. Scott Fitzgerald wrote in his financial ledgers the year he married Zelda Sayre and sold This Side of Paradise.
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Yes, Kate
Recommended (Revolutionary) Reading: On why Kate Millett’s Sexual Politics remains so relevant to today’s most heated literary arguments, despite its being nearly fifty years old at this point.
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“Smudged pink harlequin glasses”
Last week, I pointed readers to a Page-Turner essay by Amy Bloom, whose new novel, Lucky Us, came out on Tuesday. Now, as part of the By the Book series in the Times, she talks about her summertime reads, her first picture book and who she’d invite to a literary dinner party. (FYI, we’ve written about the series before.)
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Tuesday New Release Day
The New Yorker has collected all the stories from its 20 under 40 series into a single, snappy volume, on sale now. Also out this week is the third volume of Edmund Morris’ biography of Teddy Roosevelt and a new literary foray by comedian Steve Martin, An Object of Beauty.
The Haints of Language
“Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain,” Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.