Why on Earth can’t China field a decent World Cup soccer team?
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
“Just because I’m a woman, don’t assume that I automatically empathize with a brooding 20-something Elizabeth-Bennett-type protagonist. (Trust me, I don’t.) This doesn’t mean I can’t design … a biography on Susan Sontag—or, for that matter, a spy novel, a political satire, or a memoir about a Japanese game show host set in outer space. I can do all of these things. Because it’s my job to design book covers.” Over at The Literary Hub, a cover designer wonders why she’s always offered a particular type of book.
Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”