Recommended weekend reading: Walker Percy’s “Bourbon, Neat.”
Symmetry’s addictive. Beethoven sought it in the order of chords, Einstein in the logic of theory. Countless writers, too, have sought its imprint in the perfect mot juste. In Aeon Magazine, Philip Ball pleads fervently against the pursuit of beauty in logic, and logic in beauty. “There’s a reason why our galleries are not, on the whole, filled with paintings of perfect spheres… the search for an ideal, perfect Platonic form of the table amid spirals, hypercubes and pyramids has an air of desperation.”
With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
Anne Fernald’s two posts about her grandmother’s editions of Virginia Woolf are a treat.Gwenda Bond of Shaken and Stirred landed on NPR over the weekend to talk about the 100th anniversary of Anne of Green Gables, in honor of which the Modern Library has put out a new edition.The Oxford Project: “In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa.” It’s a neat sounding photo book, reminiscent of La Porte, Indiana.Under 30? Really good at writing book reviews? You should enter VQR’s Young Reviewers Contest.It’s an alarm clock that wakes you up with the voice of Stephen Fry in the character of Jeeves. You can listen to all the recordings at the site. An example: “Let us seize the day and take it roughly from behind… as the Colonel used to say in his unfortunate way.”
Alright, time to fess up – who keeps buying all these Mein Kampfs? This piece from The Daily Beast takes a look at Hitler’s 800-page tome and questions why people continue to buy it despite the fact that “it might be dull as one of those many lunchtime monologues that bored Frau Goebbels cross-eyed.”