This past week, The Guggenheim made 65 art catalogs available online. Open Culture‘s Dan Colman has written a “few handy instructions” to guide you through the treasure trove of records.
Art For Free
“You’re a fiction writing professor.”
“You have a hard time imagining how the things you’ve experienced or discovered, which seem abjectly personal, could be of use to another writer. You’re aware that you can follow every single rule in the book, and still write a crappy story.” The Preservationist author Justin Kramon grapples with the idea of teaching writing to college students.
King’s Revival
Last week, we reported that Stephen King’s first hard-boiled detective novel, Mr. Mercedes, will be out this June. If thrillers aren’t your thing, though, King has another horror novel coming out this November, Revival. It tells the story of the dangerous bond between a charismatic minister and a heroin addict musician.
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Try Finding a Picture
Here’s an odd scenario straight out of a Thomas Pynchon plotline: in the course of fact-checking a review of Pynchon’s new novel, Alex Yuhas found himself emailing a person known only as “The Great Quail.”
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Like a Career in the NBA
“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”
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“It really is a different life”
Donna Tartt has a new novel out, and with it come new interviews. At Salon, Laura Miller sits down with the author behind The Secret History.
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