If you missed Apple’s “Education Announcement” last Thursday, you can check out Peter Kafka’s play-by-play coverage of the event for AllThingsD. The whole affair made quite a splash because the biggest publishers in the world today are education publishers. The star of the show was iBooks 2, and it has many people talking: some view it as education publishing’s savior, some fear it, and others think its EULA is downright creepy. At least one person believes the whole idea might’ve been the brain child of a lowly intern. And, finally, what should we make of Steve Jobs’ 1996 admission that “what’s wrong with education cannot be fixed with technology?”
'The 4½-foot tall poststructuralist philosopher I live with demonstrates a radical mode of viewership daily. Because of her, and with her, I am able—by moments—to move out of my own natural larval state and experience movies not just as deliverers of entertainment, conveyors of meaning, or objects of aesthetic contemplation, but as pure fields of emotional and sensory intensity, almost like rooms to which one can return." Dana Stevens on watching movies with, and like, a child.
Adobe Books may become Adobe Books and Arts Cooperative thanks to a collection of young, influential artists who do not want to see their favorite bookstore/community space close its doors. You know, the one that records its book sales in a composition notebook, not a computer system. (h/t Lydia Kiesling)
Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: "[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them."