My essay on Zadie Foster Franzenides and the current state of literary aesthetics is in this weekend’s New York Times Magazine.
In 1977-1978, a public access TV show called Public Access Poetry featured leading poets from across the country (Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch). Thirty-one episodes are now online, but the Poetry Project at St. Mark’s is seeking funding to post the remaining fifteen reels.
Hear ye, hear ye! The annual Morning News Tournament of Books has begun! (ICYMI: I wrote about their bracket last week.)
“6 Reasons We’re In Another ‘Book-Burning’ Period In History” is not about the destruction of books based on content or community objections; it’s about the destruction of books because libraries (and sometimes bookstores) don’t know what to do with them. We also had a little something to say about the topic.
What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.