My essay on Zadie Foster Franzenides and the current state of literary aesthetics is in this weekend’s New York Times Magazine.
A new kind of book review: 5 artists interpret and critique literature through works of visual art.
“If you lack a competent distributor down here, then consider me at your service. Nothing would make me happier than to drive Salems off the market for good and ever. It’s without a doubt the foulest cigarette in the history of tobacco-addicted man—a tasteless mish-mash of paper and dry weeds.” Boy, Hunter S. Thompson really hated Salems.
The hysterical website Old Jews Telling Jokes has been revived from its year-long hibernation, and two of its newest gems are worth viewing: “A Stutter” and “Three German Shepherds.” Meanwhile, the show’s Off-Broadway adaptation is scheduled to open May 20th, and its producer has a great write-up about how the show’s evolved.
My inner dramatist will have a debut outing at Sweet: Actors Reading Writers, Thurs. 12/2 at 7:30 pm, Three of Cups (First Ave at 5th Street, NYC). Actor Tonya Edmonds will perform an excerpt from my novel-in-progress, Sebastian & Frederick. Other featured writers: Ed Park, Amanda Filipacchi, Jonathan Dixon, Maya Pindyck.
Andrew O’Hagan, whose books have gotten some Booker Prize notice over the years, has a new one out (it’s been out in the UK for a while now) called The Life and Opinions of Maf the Dog, and of His Friend Marilyn Monroe, which, as the title perhaps suggests, is told in the voice of Monroe’s Scottish maltese poodle called Maf. Also out this week is Tom Clancy’s first new “Jack Ryan” thriller in quite some time, Dead or Alive.