At Print Magazine, Buzz Poole looks at The Electric Information Age Book, which chronicles the innovative heyday of book packaging, when the publishers “were the ones breaking down the walls and changing the rules as they went.”
A Look Back at the Old Future of Books
How Can I Help
"Often the people who turn most passionately to data and reason are those who feel most overwhelmed and controlled by irrational impulses." New fiction by Rivka Galchen over at The New Yorker! Pair with our review of her most recent book, Little Labors.
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Sonya’s Favorite Novel of the Millenium (So Far)
At The Second Pass, check out my review of Everyman's Rules for Scientific Living, an unsung gem of a novel by Australian writer Carrie Tiffany.
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The New World hits virtual shelves
Chris Adrian's The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally -- as none of the editions favored by The Atavist's young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
Also Need a 4-Wheel Drive
Must be willing to perform “light, household maintenance.” Harry Bliss, an illustrator and cartoonist at The New Yorker, has purchased the former home of J.D. Salinger and will turn it into a retreat for one lucky cartoonist during February 2017. Pair with our review of J.D. Salinger: A Life, a comprehensive biography of the famously reclusive writer's work.
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Critiques for Charity
We've seen a lot of interesting literary fundraisers (and are still a bit in awe of Catstarter) but a recent campaign goes beyond the usual Kickstarter: a group of well-known American writers, from Heather McHugh to Philip Levine to Rebecca Makkai, will be selling manuscript critiques later this month to benefit Caregifted.org.
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Ray Harryhausen Dies at 92
Visual effects virtuoso Ray Harryhausen died this week at the age of 92. Harryhausen was first inspired to take up movie-making when he watched King Kong with his childhood friend Ray Bradbury, and his pioneering career spanned over forty years. Over at Vulture, you can check out a couple of his most well-known scenes. To my mind, though, his best work will always remain Galgo’s creepy, stretch-tastic wizard hand from The 7th Voyage of Sinbad.
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