“A ‘Complete Poems’ is a death certificate and memorial combined. After the Selected and the Collected, the Complete marks the poet’s official demise and at the same time erects a carven monument designed to outlast the ages.” At The Guardian John Banville reviews The Complete Poems of Philip Larkin which will be out on these shores in March.
Granta has published translated writing from Nobel Prize winner Svetlana Alexievich. She writes: “In 1986 I had decided not to write about war again. For a long time after I finished my book War’s Unwomanly Face I couldn’t bear to see a child with a bleeding nose. I suppose each of us has a measure of protection against pain; mine had been exhausted. Two events changed my mind.” Find out more about Alexievich here.
There's been a lot of talk about women breaking into traditionally male fields and hobbies, but in a blog post at The Missouri Review Caitlin Rosberg laments the continued underrepresentation of female characters and creatives in comic books. She then explores the work she's doing to improve the situation by publishing women writers and artists in works like the Ladies' Night Anthology. As she says, "I’m motivated in no small part by being able to say to those 'make your own' strawmen, 'I do. I’m an editor contributing to published comic books. Are you?'"
New this week: Lincoln in the Bardo by George Saunders; Shadowbahn by Steve Erickson; The Fortunate Ones by Ellen Umansky; All That's Left to Tell by Daniel Lowe; The Weight of Him by Ethel Rohan; The Dark Flood Rises by Margaret Drabble; and Be My Wolff by Emma Richler. For more on these and other new titles, go read our most recent book preview.
"Well, continuing with my policy of baring my soul, Dwight Garner said something like, the book was like one of those satellite photos of North Korea when I talked about the second marriage. I obviously had very little access to Updike from ‘77 on, really. And I cheated a bit by using Ian McEwan as my spy in the Updike household. First of all, Updike definitely did pull up the drawbridge and retire into his castle and I thought, in a sense, that this should be respected. He had decided on his persona, at that point—the highly professional man of letters. And I thought, why not let him go out with that persona intact?” At The Awl, Elon Green talks with Adam Begley about his new biography of John Updike.