The Utne Reader offices are moving from Minneapolis to Topeka, and the magazine’s not taking any current employees with it.
"But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion."
“Every journal is a confessional. If it’s in the first person, it cannot help but be. Unless the author of it lies to himself—and that makes it even more of a confessional. For some reason, travel brings out confessions one would never make at home. I am trying to draw the rake of my journal over the landscape. Perhaps I will uncover something.” Lawrence Ferlinghetti’s new collection of travel journals, Writing Across the Landscape, is out now. Travel on back to The Millions for Kate McCahill’s essay on traveling with books.
The Empathy Exams, a new collection of essays by Leslie Jamison, gets its title from a piece about medical acting that was published in The Believer. On the Harper’s blog, you can read an interview with Jamison, who calls her collection “a refusal to choose between these approaches — criticism, confession, journalism.” (Michelle Huneven interviewed Jamison for The Millions a couple of years ago.)
"Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos." On Frank Zappa, music theory wizard and occasional public intellectual.