Glen David Gold encourages young writers to “cultivate literary friendships”, but he’d like to add one thing: “for Christ’s sake, do not let them become transactional.”
Using Faulkner
New Norman Rush
New Yorker book critic James Wood dropped in on our “Best of the Millennium” piece on Norman Rush’s Mortals and offered this tidbit, “I think [Rush’s] next book — his first to be set in America — will be unlike anything he has written before.”
Virtual Typesetting
“Many of the basic rules around typographic contrast and readability for print or 2D screens change in VR. When type becomes even a little bit more volumetric, the way people perceive it and interact with it changes. The type needs to be rooted in something real, otherwise it gets a little uncanny for the user.” What should typography look like in virtual, augmented, and mixed reality interfaces? The Drum considers (via The Digital Reader). Wonder what a book fetishist might thing of all this…
Lucy Ellmann’s 45-Hour Audiobook
Actress Stephanie Ellyne narrates the audiobook version of Lucy Ellmann's Ducks, Newburyport, which spans 45 hours and 34 minutes.
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He’s Right. Eihi Shiina is Terrifying.
I’ve mentioned my love for the movie recommendation site Netflixia before, but if you find its selection a little predictable or tame, you should give try out some of the titles on Christopher Higgs’ list of “The 50 Best Movies on Netflix Instant.” (Note: some of the list’s images might be a bit racy for work.)
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Ice Ice Baby
“When they’re not at their day jobs, a great many of the island’s 330,000 inhabitants dabble in verse.” The New York Times attempts to understand why Iceland is chock-a-block with poets. A few years back we reviewed one of its better known practitioners (and Björk lyricist) Sjón.
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