Glen David Gold encourages young writers to “cultivate literary friendships”, but he’d like to add one thing: “for Christ’s sake, do not let them become transactional.”
Using Faulkner
Stars of Old Russia
In 1913, four years before the Russian Revolution, Tsar Nicholas II made the now-baffling claim that a writer named Teffi was the only major Russian writer. At the time, however, his endorsement made sense, because everybody in Russia, from royalty on down, read Teffi’s work and “delighted” in it. Until the revolution, at which point she was consigned to oblivion. William Grimes writes about a new collection of her stories.
That Old Thing?
If you went to Dublin at one point and paid a visit to The Book of Kells — and if you didn’t, what gives? — you’ll appreciate this take on the artifact in The Irish Times.
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Favorite Debuts
Tin House assembles a panel to name its favorite debut novels and collections of the year. Swamplandia! and We the Animals get tapped, but some lesser known titles also make the cut.
Fame: A P&L
$500,000 annual home improvements? $125,000 allotted for annual “domestic salaries and expenses?” A $95,000 tutor for Gwyneth Paltrow’s 5-year old? New York Magazine‘s “Celebrity Economy” package is as thorough and informative as it is revolting.
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The Surreal World
Recommended Reading: Dean Young’s poem “Why I Haven’t ‘Outgrown Surrealism,’ No Matter What That Moron Reviewer Wrote” for Plume.
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Purely Comedic
Fresh Air’s Terry Gross sits down with Jonathan Franzen to talk about Purity, writing, and the possibility of parenthood. “I’ve always thought of myself as a comic novelist. It’s a tough road to hoe because comedy means light in people’s mind. There was an ambitious part of me that kind of chafed and was secretly relieved when the comedy was overlooked, but at a certain point, it becomes wearing for people not to get the humor.” Pair with our review of the novel.
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The End of Beauty
Recommended Reading: This essay on Jorie Graham, Modernist poetry, and the resistance of closure from The Nation. In the essay, Ange Mlinko puts Graham in league with such writers as John Ashbery and Frederick Seidel as some of the few living American poets “to have advanced a worldly, Modernist model of the poem into the 21st century.”