They say you’re only as good as the company you keep. If that’s the case, we’re thrilled to have published Jim Santel‘s piece on The Moviegoer, which has made The Awl staff’s list of “Top Longreads of 2011“.
Top Longreads of 2011
Visionary
At the Times Literary Supplement, Raymond Tallis reviews Hallucinations, a new book by Oliver Sacks that defines “sensational consciousness.”
Tuesday New Releases
It's a big week for fans of literary fiction, with new books by a pair of heavyweights: Generosity by Richard Powers and Her Fearful Symmetry by Audrey Niffenegger. There's also a new (and massive) collection of stories from Lydia Davis. Nick Horby's newest, Juliet, Naked is out. Finally, Bukowski fans may be pleased to find a new book of never-before-collected poems, and R. Crumb fans have no doubt been waiting for his Book of Genesis to hit shelves.
Indie Booksellers’ Choice Awards
Our own Emily St. John Mandel won one of the inaugural Indie Booksellers' Choice Awards yesterday for her novel The Singer’s Gun. The other honorees for this award, which was voted on by indie booksellers around the country, were Paolo Bacigalupi for The Windup Girl, Adam Levin for The Instructions, Karl Marlantes for Matterhorn, and Nina Revoyr for Wingshooters.
Reader’s Nostalgia
"Why do we spend so much time with stories whose endings we already know?" Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman's Slate essay about "thinking that you’re not getting as much from reading as you used to."
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Why Are Writers Paid So Little, and Programmers Paid So Much?
“And so despite my esteem for the high challenge of writing, for the reach of the writerly life, it’s not something anyone actually wants me to do. The American mind has made that very clear, it has said: ‘Be a specialised something — fill your head with the zeitgeist, with the technical — and we’ll write your ticket.’”
New Marilynne!
Marilynne Robinson has a new essay (excerpted from her new book When I Was a Child I Read Books) out in Guernica, and if you're still reading this sentence because you haven't yet clicked the link, that's incredible.
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