Still don’t have a job? Friday’s Jobs Report shows structural unemployment is the real problem.
Still Don’t Have a Job?
“The chorus needs to be real to make this work.”
Millions staffer Edan Lepucki contributed "Chorus" to Slate's Trump Story Project, an ongoing series of short fiction pieces written by contemporary authors.
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And You Thought Literary Magazines Had It Rough
Trouble might lie ahead for Skymall. Rohin Dhar makes the case in The Atlantic that everybody’s favorite in-flight magazine might’ve just merged with a dubious “nutraceuticals” company in need of SEC scrutiny.
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Islands: Remote and Suspicious
If you dug Judith Schalansky's Atlas of Remote Islands (a Millions Hall-of-Famer), you should check out cartographer Victoria Johnson's list of "suspicious-sounding islands."
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The Duty of Storytelling
“I don’t try to deliver a message, teach, inform or ‘give back’ in my books. I simply want to tell a story. My writing is totally separated from my activism and social service, which are channeled through my Foundation.” Megan Bradshaw interviews Isabel Allende for Asymptote Journal.
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No Longer Science Fiction
"Set in the 2020s and 2030s in a collapsing and crashed America, the Parables books have always seemed incredibly and disturbingly prescient—and in the wake of November 8, 2016 they now seem downright spooky, the actual and accurate history of the future." How Octavia Butler predicted the present. See also: our consideration of Butler's novel Kindred.
Life in Letters
“To age is to understand that the powers of total recovery are gone, are no longer anticipated (except by those who, having lost their marbles, no longer know what to anticipate).” The epistolary legacy of writers such as Samuel Beckett, Saul Bellow, and Elizabeth Bishop offers invaluable insight into the process of growing older, writes Robert Fay for The Atlantic. See also our own Lydia Kiesling on the narrative possibilities of leaked emails.
The New VC
In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world."
Beyond the Pale
Nowadays, Lord of the Flies is a byword for savagery, a book that illustrates more potently than any other just how low it’s possible for humanity to sink. In The Guardian, Robert McCrum ties the book’s conception to the second World War, arguing that its view of the world was “unimaginable” without Nazi Europe.
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