Good news New Yorkers: You live 2.4 years longer than other Americans.
Lucky Alan, which came out in February, is Jonathan Lethem’s first new story collection in more than ten years. He talked with Matt Bell about it in an interview at Salon. “What’s great about short stories is the opportunity to play at reinvention; all those new departures, all those new landings to try to stick,” he says. You could also read our review of his novel Dissident Gardens.
What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could…at this point, it’s perversity that keeps me writing.”
Most readers have their own idiosyncratic systems for displaying the most valuable titles they own. For a lot of people, it makes the most sense to keep their favorite books on a particular shelf. At The Paris Review Daily, Sadie Stein writes about an odd phenomenon — “The Phantom Shelf,” which consists of books you love so much you had to lend them to friends. (Related: Kevin Hartnett on reading our parents’ bookshelves.)
“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.