Russell Hoban, a prolific author who created Frances, a girl who appeared in the guise of a badger in seven books for children (Bedtime was always my favorite), died on Tuesday in London. He was 86.
Russell Hoban Dies at 86
Castellanos Moya on the Bolaño Bubble, Part Two
Horacio Castellanos Moya, the author of Senselessness [review], again tackles the commodification of Roberto Bolaño, this time in a lengthy piece in Guernica. “It’s the landlords of the market,” he writes, “who decide the mambo that you dance.”
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Franzen and Oprah: Together at Last?
If Moby Lives is right, the literary beef that erupted when Oprah selected Jonathan Franzen’s The Corrections for her book club and he rejected the (in his mind, dubious) honor is about to get a curious denouement. Speculation is that Freedom is poised to become another Oprah selection. And your author suspects that Franzen will be more welcoming this time around. (Oprah sticker haters should probably buy their copies of Freedom now, just to be safe.) Update: The AP confirms and so it begins again.
Hart Crane: Remix Artist
“Samuel Greenberg belongs in the pantheon of literary manqués,” writes Jacob Silverman. The poet was a favorite of Hart Crane, who described him as “a Rimbaud in embryo.” But did Crane take his adoration too far? Did he in fact “remix,” re-purpose, or plagiarize some of Greenberg’s work?
The Golden Age of Women Essayists
The essay is more popular than ever. At Salon, Michele Filgate talks to Leslie Jamison (author of The Empathy Exams, here’s our review) and Roxane Gay (author of the forthcoming Bad Feminist) about the power of the genre. Gay believes our interest in essays is because of a “cultural preoccupation with the exposure of the self.” They also discuss if we’re in a golden age of women essayists. “Sometimes when men write about private feeling, it’s seen as exploratory or daring, and when women write about private feeling it’s seen as limited or in the vein of a kind of circumscribed emotional writing,” Jamison says.
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