The short shelf of books written by Jane Austen has been recently supplemented by many imaginative efforts–Jane Austen as an amateur detective, and several works depicting Austen characters (or Jane herself) as a vampire, a zombie or some other Gothic monster. So what’s next? Death Comes to Pemberley by P.D. James is Pride and Prejudice continued.
Late November brings work of another favorite Madrileño to the forefront. The final book of Javier Marías‘s Your Face Tomorrow trilogy, Poison, Shadow, and Farewell, will be published at the end of the month by New Directions. The incomparable Marias will make two New York appearances, a reading at the 92nd St Y (with Paul Auster) and a conversation with Paul Holdengräber at the New York Public Library.
The Daily Beast interviews Tom Wolfe, who argues that America, more than two decades after The Bonfire of the Vanities, is a place where people “cannot act as if they are part of a superior class.” (For context, you might want to look at our own Nick Moran’s review of his latest, Back to Blood.)
In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
“Back in the 1800s, for instance, when white women began recording their family food traditions, they took credit for their slaves’ handiwork. ‘You owned Sally, you owned her recipe,’ Toni Tipton-Martin reflected on an episode of the podcast Gravy.” At Mother Jones, read about the secret history of black chefs in America.
Harper Perennial is pairing the expansive resources of a major publishing house with the exciting risks of an indie press. Could this magical formula catch on at other houses?